Summary:
Successful art relies upon an individual standard of
excellence. Validation is internal. The text explores professional and genuine
art. The three major sections of the text discuss politics, kinship, and craft.
Jeff Koons marketed himself as a public figure. Koons puts
off the persona of acting like an artist rather than an audacious figure. He
seems to be interested in identity politics through materialism and sexuality.
Ai Weiwei is a Chinese artist. He is described as rude and
is very critical of China and academia. This seems to be born out of his
extreme value for human rights and love to shock.
Koons’ studio life is based around community as he says he
does not want to be placed in a room all day. However his studio is quiet and
industrious. Koons produces shows, not just art. He again talks about his
fascination with persona.
Weiwei is considered much more raw in his personality. This
seems to be as result of his negative association and experience with
government. He describes a piece in which he made 100 million ceramic sunflower
seeds, and he describes his father who was a poet. Ai explains that even though
he saw his father endure so much hardship for being an artist, he still felt
like he must follow in his footsteps to capture the same genuine sense he saw
in his father.
Response:
I am always interested to hear the philosophy and motivation
of other artists as it shapes the way I view my own art practice. I think the
closing paragraph of this text was the most enlightening for me, when Ai Weiwei
expresses love for art because of its genuine nature. I think this furthers my developing
opinion that art can be nothing if it is not genuine.